Twelve objects tell a hundred years of industrial design history. The book presents products that were made between 1914 and 2004 and changed people’s everyday lives, designs that were marketed with new strategies, and objects that convey the way of life of a particular decade. Whether it is the Wonder Bowls by Earl Silas Tupper, the Valentine typewriter by Ettore Sottsass, or the iPod mini byJonathan Ive – design icons are brought to life in twelve contributions and through interviews with renowned designers and authors. Sophie Jung (born 1981) is an art historian and is currently working in Berlin as an art critic and editor. Stephen Palmer (born 1965) is an historian and publisher based in Melbourne, Australia. In collaboration with the HfG-Archiv / Ulmer Museum, Sophie Jung and Stephen Palmer developed "12 Gegenstände" into an interdisciplinary publishing project that has also become the conceptual basis for the corresponding exhibition at the HfG-Archiv Ulm.
2006 für die HSH Real Estate AG (Keine Preisangabe, da kein Buchhandelsvertrieb)
The appearance and attractiveness of a design product depend to a large extent on the surface design. The texture changes both its form and significance. The sheen of the Panton Chair Classic is what sets it apart, colourful eloxated aluminium is reminiscent of sports equipment, metallic paint on cars or finger nails, patina suggests aging. Besides conveying such emotions through visual and tactile stimuli, functional coatings also react with their environment. As required, they have an adhesive effect, act as a water repellent, provide antibacterial protection or conduct heat. How do designers use this creative potential? "Make up" presents design classics from the collection of the Museum für Gestaltung Zürich in dialogue with products of contemporary designers like Konstantin Grcic, Alfredo Häberli, Ross Lovegrove, Jasper Morrison or Kenya Hara.
Handy illustrated dictionary of key design terms The perfect tool for students, teachers and practitioners If you love colour guides, you will love the form guide The form guide hones the awareness for the design of objects and helps use terms more precisely. Using examples, a basic terminology is developed which aids communication about design in practice and education. The versatile vocabulary can be used to precisely describe product forms, constructions and impressions.The 100 products selected for this purpose are presented with a brief description of their origin, making the form guide an informative tool, closer at hand and more comprehensive than any book could be. Renowned design colleges and institutes have collaborated on the development of the form guide: Zurich University of the Arts (Industrial Design department), the Museum of Design Zurich (design collection), the Burg Giebichenstein University of Art and Design Halle, and idea...Institut [interior design environment and architecture], Halle (Saale) Germany.
How can a stirring, original and gripping event be presented in a staged setting? What kind of marketing event awakens the interest of customers, employees or exhibition visitors alike? Answers to these and many other questions about live communication are provided in the Even Design Yearbook!Around 30 international examples show multi-faceted solutions for a wide variety of tasks in the following categories: Corporate, Employee, Public, Exhibition and Consumer Event. The design and the dramaturgical process are demonstrated by texts, numerous illustrations and plans. Supplementing the practical part, theoretical articles on the psychology of brand presentation and on sustainable event marketing round off the book.The participating agencies: Apostrophy’s, ARNO Design, ATELIER BRÜCKNER, Atelier Markgraph, BBDO Live, Blue Scope Communications, Braunwagner, CE+Co, CREATORS concept & media, dan pearlman, flora&faunavisions, HAGEN INVENT, insglück, jangled nerves, Jung von Matt/Alster, Jung von Matt/relations, LIGANOVA – The BrandRetail Company, Milla & Partner, Mutabor Design, Schmidhuber + Partner, Siegelwerk, Uniplan, visuarte, VOK DAMS.
The numerous examples presented in this edition of the Trade Fair Design Annual are once again testament to the ability of designers to consistently tailor trade fair stands to exhibitors’ needs whilst setting standards in the field. Of particular interest is how stands evolve over the years through long-standing cooperation between designers and clients and how, even in changing economic circumstances, corporate design themes vary without losing brand recognition.The author Conway Lloyd Morgan is Programme Leader in New Media Publishing at the University of Wales, Newport, and the author of numerous books and monographs on design and architecture.
Product innovations and design trendsThe renowned competition looks back on a 20-year-old tradition and has firmly established itself in the German competetion landscape. The publication presents all award-winning products from all design disciplines, e.g. the following categories: manufacturing, medicine, bathroom, kitchen, living, ambience, lifestyle, lighting, communication, optics, sports, outdoor, public design, architecture, transport and circulation. The Design Center Stuttgart brings design topics to public attention and shows the possibilities of a consistent use of professional design for product development and corporate identity.
First compendium about this design disciplinePresenting more than 40 international projects by Ralph Appelbaum, Atelier Brückner, Casson Mann, Frank Gehry, Zaha Hadid, HG Merz Architekten, Imagination, MET Studio, Jean Nouvel and many moreThese days, exhibitions have to compete in an increasingly sophisticated leisure market. Previously aloof cultural institutions are making use of technologies and techniques more commonly associated with film and retailing. Exhibition-making is now synonymous with image-making, communication and the creation of a powerful experience."Exhibition Design" features examples of a wide variety of exhibitions from around the world, from major trade and commerce fairs, to well-known fine art institutions, to small-scale artist-designed displays. The introduction gives a historical perspective, with a particular focus on the developments of the twentieth century.The first part of the book presents conceptual themes of narrative space, performative space and simulated experience. "Techniques" covers the practical concerns of display, lighting, colour, sound and graphics.
2004 für die DaimlerChrysler AG (Keine Preisangabe, da kein Buchhandelsvertrieb)
The aed is an initiative founded by a highly committed not-profit group of engineers, architects and designers. Its aim is to advance – and to promote – public awareness of the extensive creative expertise located in the Stuttgart region – from product design and graphic design via multimedia professions and engineering through to architecture.Since its foundation the aed has organised hundreds of events that were dedicated to the whole depth and breadth of design issues. The aed highlights an enormous array of topics, inviting everybody to an open exchange. It thus creates a unique platform for interdisciplinary exchange between designers and all those interested in design. The book offers a deep insight into the topics, places and people that have been an integral part of the association’s work over the past years.
2001 für die DaimlerChrysler AG (Keine Preisangabe, da kein Buchhandelsvertrieb)
2004 für Wüstenrot Bausparkasse AG (Keine Preisangabe, da kein Buchhandelsvertrieb)
2000 für IBM Deutschland GmbH (Keine Preisangabe, da kein Buchhandelsvertrieb)
Airports today are a new building type. They have become a strange combination of transportation centre and shopping mall. Like in a city the experience leads through squares, streets and rooms for transportation, commerce and private uses. At Suvarnabhumi Airport innovative and integrated architectural structural and environmental design were used, new materials and systems of advanced technology developed. The result is a building flooded with controlled daylight in a tropical climate. After eleven years of planning and construction the terminal was opened for passenger traffic in Setpember 2006. Helmut Jahn is head of the renowned architectural firm Murphy/Jahn, based in Chicago. Founded over 70 years ago, Murphy/Jahn has created many notable projects in the United States and Europe, including Chicago O’Hare International Airport, United Airlines Terminal One Complex, Sony Center, Berlin and Post Tower, Bonn, Germany.
2003 für die Robert5 Bosch GmbH (Keine Preisangabe, da kein Buchhandelsvertrieb)
2008 für Helmut Jahn, Werner Sobek, Matthias Schuler (Keine Preisangabe, da kein Buchhandelsvertrieb)
2008 für die L-Bank Baden-Württemberg (Keine Preisangabe, da kein Buchhandelsvertrieb)