Plants change working environments, adding a touch of nature and style and improving the indoor climate. Through their form, colour and type of growth, they represent a living design material. Whether it is in an open-plan office, co-working space or employee lounge, their positive effect on people is visible and tangible.    This book is targeted towards all those who want to integrate plants into their spatial concepts. With current examples of greenterior design, artistic plant constellations and insights into the design of plant pots, along with background knowledge from exemplary projects and interior architecture with botany.The qualified carpenter and certified product designer Miriam Köpf is specialised in spatial installations. She has worked at various design agencies in Stuttgart and in 2015 founded the botanical design studio Phyllis. Her focus is on the integration of indoor plant installations, especially in working environments. She has coined the term greenterior design and conveys her approach through conceptual plant pop-up shops, constructive cooperations with architects and inspiring workshops for students.Leseprobe auf ISSUU.com / Search inside on ISSUU.com

The mayhaus in Frankfurt’s Römerstadt is the only residential building in the style of the Neues Frankfurt of the 1920s that has been completely restored. The book explains the func-tions of the model house using current photographs and historical plans. Via the text level, which zooms from the city via the housing estate and then the street into the building, the mayhaus, including the famous Frankfurt kitchen, is classified in terms of architectural history and socio-cultural aspects. Philipp Sturm and Christina Treutlein are the managing  directors of ernst-may-gesellschaft e.V. Sturm is a political scientist and since 2008 a freelance curator and author at the Deutsches Architekturmuseum, Frankfurt on the Main. Treutlein is an art historian and is currently working on her dissertation on Carl-Hermann Rudloff, an architect of the Neues Frankfurt, who was responsible for the Römerstadt and especially for the mayhaus.

The book explains the development history of experimenta in the context of the educational institutions Science Center, Planetarium and Schülerlabore (Educational Laboratories). In addition, the contentual and methodological-didactic concept is conveyed clearly. The volume is rounded off with further information about the architectural design concepts of the two experimenta buildings: the repurposed historical Hagenbucher warehouse and the spectacular glass and steel new building by Sauerbruch Hutton. Wolfgang Hansch, Dr. rer. nat. habil., studied geology,  was responsible from 2005 for the concept and structure of experimenta that opened in 2009 in Heilbronn, and has been its Managing Director since 2007. He is  the author and editor of numerous publications about earth history and cultural history topics. He has a seat on various educational committees and chairmanship of the Regional Association for Natural Science-Technical Youth Education in Baden-Württemberg. 

The processes of change throughout the retail sector have rapidly gained dynamism through the COVID-19 pandemic. In an unprecedented situation, social distancing has fuelled the integration of digital shopping functions and at the same time the yearning for real places of encounter. "Retail Design International" addresses these shifts and presents over 40 brave concepts that drive the retail shift forwards. The editor Dr. Jons Messedat is an architect, designer and author. His expertise in the building of corporate identity is in demand among global companies, as a jury member in architecture and design competitions, as well as at universities in Germany, Switzerland and the USA.Search inside on ISSUU.com

How must design studies be structured in order to not only keep pace with the changes in the economy and society but also to shape them? How much artificial intelligence and coding must be conveyed during studies? This book documents five years of international research on these questions, which 250 designers participated in worldwide.The iF Design Foundation is dedicated as a non-profit organisation to design as a phenomenon and practice in the context of education and culture, science and the economy, politics and society. It promotes the development of design-specific discourses and supports the sharing of design-relevant knowledge and findings.

On the occasion of the 15-year anniversary of Idee und Klang Audio Design (Idea and Sound Audio Design), a publication has been created that is dedicated to sound scenography and at the same time reflects the work of the atelier. It includes questions about the still young field of acoustic exhibition design as well as personal experiences in the area of audio creation. The topic is framed by interviews and texts by guest authors within this discipline.Idee und Klang Audio Design is a team of composers, sound designers and technologists who create artistic, historical or commercial living environments with sound and music. The works of the studio founded in 2005 comprise sophisticated media installations, exhibitions and brand facilities such as the National Museum of Qatar, BMW Museum in Munich and Imperial War Museum in London.

It is interdisciplinary teams with complex compositions that develop and realise exhibitions. Groenlandbasel directs a network of specialists and with "Spaces and Stories" enables an insight into the cooperation and the dedicated efforts of a wide range of involved parties. Exhibition thinkers and exhibition makers express themselves alongside each other in essays, shorter highlights and interviews. The texts are accompanied by a diverse selection of projects by Groenlandbasel: museum developments, special and permanent exhibitions, architecture, as well as indoor and outdoor installations. With text contributions including: Dominic Huber, Director Rimini Protokoll, Zurich; Nina Gorgus, Curator Historical Museum Frankfurt; Ramon De Marco, Sound Designer Idee und Klang, Basel; Daniel Tyradellis, freelance curator, Berlin; Beat Hächler, Director Alpine Museum of Switzerland, Bern; Sibylle Lichtensteiger, Director Stapferhaus Lenzburg.

The new edition of this successful series presents the status quo in exhibition design and scenography with over 110 projects and 15 interviews. The focus is on current trends and corresponding methods, renowned firms, exceptional designers and curators. The manifesto "Indian method – design in difficult times" takes a stand regarding the current social and political discourse and opens up new strategies for poetic spaces. The editors: Prof. Uwe J. Reinhardt, M.A., is a cultural scientist, journalist, exhibition maker, since 2005 professor of text/verbal communication at the Design department of Peter Behrens School of Arts at the Hochschule Düsseldorf and teaches together with Philipp Teufel, director at the edi – Exhibition Design Institute. Teufel is a communication designer and teaches as a professor in the fields of Exhibition Design, Retail Design and 3D Communication. 2012−2016 he was the artistic consultant for the exhibition design of the Humboldt Forum at Berliner Schloss, together with Ralph Appelbaum Associates. 110 projects by Atelier Brückner to C&G Partners, Kossman.dejong, Holzer Kobler, Ralph Appelbaum and Sagmeister & Walsh to Hans Dieter Schaal and Tokujin Yoshioka 15 interviews with leading designers and cur ators about current trends and challenges.#designbooks: Prof. Uwe J. Reinhardt interviewed by Dr. Petra Kiedaisch on YouTube (German only) #designbooks: Book presentation by Prof. Uwe J. Reinhardt on YouTube (German only) Search inside on ISSUU.com

"Idea (sketch), concept (presentation drawing), execution (photograph)": structured by these three aspects, Axel Müller Schöll presents in his book "House building and the Like" a variety of different projects that have to do with an interior or structural architect’s classical portfolio in varying degrees. They are, however, all developed on the basis of the classical toolkit that is part of every architect’s training and then of their professional work. It is still the idea that makes all the difference and that serves as a basis for a draft in the following step. Axel Müller-Schöll, architect and interior architect, since 1994 professor for Interior Architecture and Interior Fittings at Burg Giebichenstein University of Art and Design Halle. He founded the idea ...Institute (Institute of Interior Design, Environment and Architecture), which serves as a basis for research, projects, supporting graduates and issuing subject-specific publications. Axel Müller-Schöll, architect and interior architect, since 1994 professor for Interior Architecture and Interior Fittings at Burg Giebichenstein University of Art and Design Halle. He founded the idea ...Institute (Institute of Interior Design, Environment and Architecture), which serves as a basis for research, projects, supporting graduates and issuing subject-specific publications. #designbooks: Axel Müller-Schöll about his book on YouTube (German language)Search inside on ISSUU.com

Professional design has never been as important and par for the course as today. Pioneering and exceptional design achievements are at the centre of Focus Open 2020, one of the most renowned German design competitions with an international orientation. For many years, the competition has been an exclusive platform for companies and professional designers from all around the world – from industrial heavyweights to small companies. The yearbook presents all the prize-winning products of 2020. The award winners come from e.g. the sectors of investment goods, healthcare, bathrooms, kitchens, interiors, lifestyle, lighting, consumer electronics, leisure, building technology, public design, mobility, service design and materials & surfaces. Focus Open, the state prize of the Baden-Württemberg state, shows what is state-of-the-art in terms of design, innovation and sustainability.Search inside on ISSUU.com

Until spring 2020 the trade fair sector was still boasting: “You can’t email a handshake!” Then corona came along and everything was turned upside down: exhibitions were postponed, cancelled or relocated into digital space. It also brought forth new concepts with which we had not reckoned a couple of years ago: virtual twins, AR or VR walk-through stands, online exhibitions with new meeting formats, or quite different ideas that are currently turning the sector upside down, providing new impetuses and making the trade fair a place as we have never known it before. The new trade fair yearbook presents not only the most exciting exhibition settings of the previous year but also entices us into virtual space. Sabine Marinescu and Janina Poesch are both architects, journalists and founders of PLOT – the network in the area of spatial installations. Since 2008 they have been publishing print and online magazines as well as reference books in the wide field of scenography.Search inside on ISSUU.com

The world is changing. A host of developments are impacting our lives: sustainability, values, equality, purpose, digitisation or "Gen Z". However, a consideration of the majority of brand experiences gives rise to the question: Where is the change? It occurred: with COVID-19! And suddenly it was about people’s lives, about our supply system and saving our and many other sectors. This is therefore a special Event Design Yearbook. It allows us to revel in projects that have been prohibited for months in 2020. It also shows experience concepts from the time before COVID-19. With all the foreseen changes after the pandemic, as described for example by Cedric Ebener in the interview, one can only speculate how the concepts presented here might look in future. Search inside on ISSUU.com

Hybrid systems not only revolutionise our mobility but also provide a fresh breath of air in retailing with the layering of various functions. Large-format building structures such as department stores and shopping centres are revitalised in line with climate optimisation and supplemented with small-scale mixed uses. Shared spaces for young start-ups and established brands offer greater variety and the opportunity to liven up too extensive spaces with new experiences and inspirations. Retail sharing has developed into an effective recipe against decreasing frequenting. The fifth edition of “Retail Design International” pursues the phenomenon of hybrid spaces between new work, leisure and retail worlds. It presents collaborative concepts from the European, Asian and Pacific regions that reveal opportunities for the transformation from a point of sale to a point of experience. The editor Dr. Jons Messedat is an architect, industrial designer and author. His expertise regarding the built identity of companies and brands – from design to management and realisation – is in demand among global companies, as a jury member in architecture and design competitions, as well as at universities in Germany, Switzerland and the USA. Search inside on ISSUU.com

What do the Parisian chocolatier and sculptor Patrick Roger, the makers of the trendy Oslo fashion label Norwegian Rain, T-Michael and Alexander Helle have in common with the Stuttgart optician Andreas Kraft? They all believe in the magic and allure of well-designed shops. And that is not all – as entrepreneurs, they must make their shops the ambassadors of their brand, philosophy and products. The book is an exploratory tour of offbeat retail hotspots worldwide. The focus is on interesting personalities who make a relevant contribution to the topic of shop design and product presentation. Marc Heikaus is the owner of Heikaus Group, a Swabian family enterprise with around 50 employees, is active throughout Europe as a general contractor and supplier for turnkey ready shop design, combining design and innovation of the highest quality. Search inside on ISSUU.com

A bench for breastfeeding in public space, a hijab for competitive sports, a bicycle saddle that is easy on the prostate. Boys prefer blue and girls love pink? What does gender have to do with design? And what is design "for all"? On the search for answers to these questions, the publication takes a look at various aspects of our everyday life: public space, playing and education, medicine and health, cosmetics and household. The juxtaposition of contemporary and historical design stances, of critical, playful, innovative and provoking solutions of applied design research and results from extensive cooperations afford insights into a multilayered topic.Search inside on ISSUU.com

So-called instagrammability has long become part of our communication policy – has the design of trade fair stands also changed as a consequence? Is the presentation's focus no longer the product but rather the potential customer and their interaction? How important are live experiences in order to draw the full attention of visitors? What effect does this have on the communication strategy and on the spatial design? These are questions pursued by the new Trade Fair Design Annual with 60 exceptional examples. Sabine Marinescu and Janina Poesch are both architects, journalists and founders of PLOT – the network in the field of spatial staging. Since 2008 they have been publishing their own print and online magazines and reference books about scenography. The standard reference work in the trade fair design world. Search inside on ISSUU.com

The current credo of live communication is: Let them participate and decide! It seems that the times in which products were displayed in rigid procedures and self-celebratory event formats are over. Now the question is what will enthuse visitors, how can they be incorporated and not least encouraged to make social media posts. A noticeable number of event formats in this edition indeed involve their participants to a great extent. This is evident in concepts orientated towards added value and experiences, as well as in possibilities for interaction and individual freedom of choice. However, what sounds straightforward is a challenge. How does one overcome inhibitions? What enthuses spoilt visitors hungry for experiences? How does one create experiences suitable for social media? Many of the around 60 events in this edition show potential solutions in practice. An in-depth interview provides answers and advice from specialists. Best cases of instagramable events and locations. 60 events in Germany, Belgium, China, South Korea, Switzerland, Austria, Russia, USA, Italy, Portugal, Denmark, Spain, Qatar ...  

On the occasion of the forthcoming renovation of the Paulskirche in Frankfurt am Main, the book recounts the history of its construction, reconstruction and renovation in accordance with the respective social currents. In addition, the role of the Paulskirche as a seat of the nationwide debate culture is traced, which it has held since the postwar period in its function as a festival hall.  The editors: Maximilian Liesner, urbanist, and Philipp Sturm, political scientist, are working as freelance curators and authors at the German Architecture Museum (DAM) in Frankfurt / Main; Peter Cachola Schmal, architect, is the director of the DAM. Search inside on ISSUU.com  

Pioneering and exceptional design trends are at the heart of Focus Open, one of the most renowned German design competitions with an international orientation. For many years, this competition by Design Center Baden-Wuerttemberg has been an exclusive platform for companies and professional designers and with its non-pro character also offers small and medium-sized companies the opportunity to compare themselves internationally. The publication presents all award-winning products. Besides other areas, the award winners come from fields like capital goods, medicine, bathrooms, kitchens, interiors, ambience, lighting, electronics, leisure, building technology, public design, mobility and service design. Also published are the results of the "Mia Seeger Preis". This prize honours up-and-coming designers who have developed products "that have more than one benefit".   Search inside on ISSUU.com

Since 1978, Dieter Leistner has been photographing people waiting at public transport stops throughout the world. Whether in Asia or Europe, South America or the Indian Ocean, in the countryside or in town, in capitalism or socialism – Leistner captures those waiting subtly and with a professional perspective. He opens up a cosmos of instantaneous shots with their own particular aura: sometimes cheerful, sometimes melancholic, sometimes bustling, sometimes lonesome. The observer is always part of the composition, recognising themselves in some of those waiting. Dieter Leistner is a professor of photography at the University of Applied Sciences in Würzburg and works internationally as a lecturer. With numerous exhibitions he is among the most well-known contemporary German photographers. His photos have won multiple awards and been published widely. Observations from more than 40 years: A panopticon of waiting people throughout the world at transport stops from Europe to New Zealand.  Search inside on ISSUU

Computational design is a post-disciplinary pursuit that operates at the intersection of science, engineering, architecture, and design. What new strategies, tools, methods, and workflows for conceptualising, generating and producing the built environment do and can computational designers use? Do new opportunities to enhance design agency and realise more sustainable and resilient built environment design outcomes exist when thinking through technology? How can the architecture, engineering and construction (AEC) industry overcome technical, economic, social, cultural, and regulatory barriers to implement new systems and processes?"Computational Design – From Promise to Practice" argues that to realise the full potential of computational design necessitates an approach that brings theory andresearch inquiry into closer dialogue with the realities and conditions of the design, delivery, and production of the built and urban environment as well as its livedexperiences. This book documents an action-research approach that underpins the Computational Design Education and Research program at the University of New South Wales, Australia and that simultaneously combines theory and practice, researchers and industry practioners, and action and refl ection. The innovative range of theoretical positions and projects presented here demonstrate how a synergistic approach to transforming real-world industry challenges into academic research inquiries and learning opportunities can in turn positively transform the AEC industry and 21st century cities.The editors: Dr Nicole Gardner is a Lecturer in the Bachelor of Computational Design, in the Faculty of the Built Environment, University of New South Wales, Sydney. She is an Australian Registered Architect with architecture practice experience in Adelaide, London, and Sydney. Her research and teaching engages an interdisciplinary range of ideas to investigate the changing relationships between digital and computational technologies and the design, delivery and production of the built environment.Associate Professor M. Hank Haeusler is the founder and Discipline Director of the Bachelor of Computational Design – the world’s first undergraduate degree in Computational Design – at the Built Environment Faculty at the University of New South Wales. He is also Professor at the Central Academy of Fine Arts Beijing and Vice President of the Media Architecture Institute. Dr. Yannis Zavoleas is an Architect Engineer licenced in Greece. He is Senior Lecturer in Computational Design at the Faculty of Built Environment, University of New South Wales, where he focuses on the influences of computing and digital and analogue tools as "tools for thought" in design creativity.Theory and practice of a groundbreaking and emergent technology, including case studies by leading researchers: BIM modeling, digital fabrication, smart cities, responsive enviroment, gaming. M. Hank Haeusler on YouTubeSearch inside on ISSUU.com

Just a few years ago customers at the point of sale would have been turned away politely but firmly if they had brought their coffee to go or even something edible with them. Now the situation has completely changed: a variety of forms of gastronomy have established themselves as communicative gathering places and enjoyableanchor points in retail design. From the gourmet restaurant in the supermarket to the cooking school in the shopping centre, or the food experience with a bar and hotel in the metropolis: Retail Design International with a focus on retail & food provides a first overview of worldwide ideas and projects at the interface of retail and food worlds. Around 60 worldwide projects invite one to embark on architectural, scenographical and culinary excursions that literally spur an “appetite” to fi nd out more about brands, products and spaces, as well as the interdisciplinary “makers” behind them. Editor Dr. Jons Messedat is an architect, designer and author. His expertise in the field of built corporate identity is in demand from global operations, as a panel member in architecture and design competitions, as well as at universities in Germany, Switzerland and the USA.   Sold out

How art can make a contribution to the “healing environment” is shown by the Robert Bosch Hospital in Stuttgart with a Germany-wide unique and pioneeringart concept. Whether it is seriously ill patients in the intensive care unit, visitors in the public corridors or employees in sterile functional areas: each is stimulatedin their own way by the total of 48 artistic interventions. The description of the many approaches and possible effects of the art projects realised at the Robert Bosch Hospital during the period 1998-2018 is supplemented by specialist contributions from the fields of art, design and corporate philosophy. They open the topic of an interdisciplinary approach and offer a view towards the future potential of healing art in an international context. Isabel Grüner (born 1963), art historian and cultural manager, after professional positions in the gallery and museum sector, has been the art officer at the Robert Bosch Hospital since 2001.

architekturbild, the European Architectural Photography Prize, has been awarded on a two-yearly basis since 1995. Since 2003, the prize has been awarded by architekturbild e.v., a non-profit organisation and since 2008 in cooperation with the Deutsches Architekturmuseum, Frankfurt, and since 2016 with the Bundesstiftung Baukultur, Potsdam/Berlin. The theme for 2019 is "Joyful Architecture". We rarely think of architecture as comforting, fun and playful. The book therefore presents examples of architecture that playfully and positively impact the built environment and its inhabitants. These examples can be understated or clichéd, autonomous or in dialogue with their surroundings, hidden or obvious. High quality catalogue on the international trevelling exhibition, starting in the German Architecture Museum (DAM) on May 3rd 2019.