"New Exhibition Design 1900–2000" examines the beginnings of exhibiting and outlines the new exhibition design of the 20th century. The book presents the most important exhibitions and exhibition designers from Europe and the USA. 100 brief portraits and a series of in-depth articles by experts look at trends and new design ideas from one hundred years of exhibiting. With articles by: Kai-Uwe Hemken, Simon Großpietsch, Ines Katenhusen, Renate Flagmeier, Anke te Heesen und Elisabeth Schweeger.Anna M. Müller and Frauke Möhlmann, both qualified communication designers, researched for more than two years at the edi – Exhibition Design Institute into the history of exhibitions. Their research results have been confirmed by experts from the whole of Europe and have triggered a new discussion on the historical development of exhibitions.Search inside on ISSUU.com
How can a stirring, original and gripping event be presented in a staged setting? What kind of marketing event awakens the interest of customers, employees or exhibition visitors alike? Answers to these and many other questions about live communication are provided in the Even Design Yearbook!Around 30 international examples show multi-faceted solutions for a wide variety of tasks in the following categories: Corporate, Employee, Public, Exhibition and Consumer Event. The design and the dramaturgical process are demonstrated by texts, numerous illustrations and plans. Supplementing the practical part, theoretical articles on the psychology of brand presentation and on sustainable event marketing round off the book.The participating agencies: Apostrophy’s, ARNO Design, ATELIER BRÜCKNER, Atelier Markgraph, BBDO Live, Blue Scope Communications, Braunwagner, CE+Co, CREATORS concept & media, dan pearlman, flora&faunavisions, HAGEN INVENT, insglück, jangled nerves, Jung von Matt/Alster, Jung von Matt/relations, LIGANOVA – The BrandRetail Company, Milla & Partner, Mutabor Design, Schmidhuber + Partner, Siegelwerk, Uniplan, visuarte, VOK DAMS.
The numerous examples presented in this edition of the Trade Fair Design Annual are once again testament to the ability of designers to consistently tailor trade fair stands to exhibitors’ needs whilst setting standards in the field. Of particular interest is how stands evolve over the years through long-standing cooperation between designers and clients and how, even in changing economic circumstances, corporate design themes vary without losing brand recognition.The author Conway Lloyd Morgan is Programme Leader in New Media Publishing at the University of Wales, Newport, and the author of numerous books and monographs on design and architecture.